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Handicrafts
IRAN: Arts - Handicrafts
A Glance at Iranian Handicrafts

Since time immemorial, the continuity of agricultural and animal husbandry activities in Iran, together with its special climateological and geographical situation, on the one hand, and Iranians' talent, creative power, and artistic taste, on the other, has caused our country to have a particularly outstanding place in handicrafts production.

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Adopting the Islamic religion in Iran, in the last decades of the seventh century (A.D), caused original Iranian cultural and artistic content to be intermingled with Islamic values, and Iranian handicrafts acquired a richer, more popular content, and grew and flourished, even in the realm of architecture and tile-working.

According to the most recent definition "the handicrafts may be defined as combination of art and craft, in which process the products made utilise local raw material(s); the main stages of production are performed by hand with manual tools and instruments; and each product unit reflects its producer's artistic talent and mental creativity in some way." The characteristics of the handicrafts are as follows:
1) Some main stages of production being done by hand, and by manual tools and instruments; 2) The effective presence of human creativity in production and formation of manufactured products with diversity of designs and the techniques of carrying them out, being also possible; 3) The utilisation of the main part of raw material(s), from the domestic resources;
4) Having cultural weight;
5) Dissimilarity of productive outputs with one another;
6) Not much capital investments being required;
7) Having much value added;
8 )Capability of being established and developed in techniques of production for generations.

Iranian handicrafts are now classified according to their manufacturing techniques and processes:

  • 1) Weaving of floor-covering;
  • 2) Hand- woven textiles;
  • 3) Embroidery;
  • 4) Knitting;
  • 5) Traditional printing;
  • 6) Felting; 7) Pottery and ceramics;
  • 8) Glass-blowing;
  • 9) Making leather and hide products;
  • 10) Metalworking and alloying;
  • 11) Carving, lattice work, and engraving metals and alloys;
  • 12) Stone cutting and carving;
  • 13) Wood turning;
  • 14) Wood elaborate work and finishing;
  • 15) Inlaying, wood carving and lattice work;
  • 16) Mat-making;
  • 17) Marquette;
  • 18) Mosaic work;
  • 19) Tile-working;
  • 20) Filigree work;
  • 21) Enamel work;
  • 22) Fine arts;
  • 23) Jewellery, etc.
The Persian carpet is an essential part of Persian art and culture. Carpet-weaving is undoubtedly one of the most distinguished manifestations of Persian culture and art, and dates back to the Ancient Persia (c.3,500 BC).
Persian carpets can be divided into three groups; Farsh / ‘Q?lii’ (sized anything greater than 6×4 feet), Q?licheh (meaning rug, sized 6×4 feet and smaller), and nomadic carpets known as Kilim, (including Zilu, meaning rough carpet)
The art of carpet weaving in Iran has its roots in the culture and customs of its people and their instinctive feelings. Weavers mix elegant patterns with a myriad of colors. The Iranian carpet is similar to the Persian garden: full of florae, birds, and beasts.
The colors are usually made from wild flowers, and are rich in colors such as burgundy, navy blue, and accents of ivory. The proto-fabric is often washed in tea to soften the texture, giving it a unique quality. Depending on where the rug is made, patterns and designs vary. And some rugs, such as Gabbeh, and Gelim have a variations in their textures and number of knots as well.
From the yarn fiber to the colors, every part of the Persian rug is traditionally hand made from natural ingredients over the course of many months.